Category Archives: Haydn

Opera in the Time of Haydn

“The comely Grilletta would never roar out her lines in a lusty fortissimo. It is entirely out of character.” (Aria to Death, Chapter One) How did eighteenth-century audiences regard opera? We’re so used to prioritizing the music of an opera, … Continue reading

Posted in Aria to Death, Eighteenth Century, Haydn, Music History, opera, opera audiences | Tagged , , , | 10 Comments

Haydn and the Holiday Feast

How did Haydn, a devout Catholic, mark feast days? None of his early biographers make much mention of what he did. Feast Days of the diverse saints in the Roman Catholic calendar were, of course, marked in Vienna. Processions were … Continue reading

Posted in Eighteenth Century, Haydn, Haydn's Wife, holiday feast, Religion, Uncategorized | Tagged , , , , | Leave a comment

Haydn and the Lost Operas of Monteverdi

On a twilight evening in October 1613, Claudio Monteverdi (1567-1643) was set upon by a band of thugs on the road from Mantua to Venice. I was researching the Haydn Mysteries when I came upon that tidbit, and I was … Continue reading

Posted in Aria to Death, Haydn, Haydn Mysteries, lost operas, Monteverdi, Musical Connections, Musicians | Tagged , , , , | 4 Comments

An Eighteenth-Century Sleuth; A Twentieth-Century Crime

When I first began writing mysteries, I had no particular interest in true crime. To be honest, I avoided it like the plague. I watched the occasional episode with my husband but only because he enjoyed it so much. Yet … Continue reading

Posted in Day of the Dark, Forensic Medicine, Haydn, Haydn Mysteries, Haydn Story, Whiff of Murder: A Haydn Mystery, women | 4 Comments