Category Archives: Eighteenth Century
I recently received an email from a reader wanting to know why I always refer to Haydn as Joseph Haydn. His name was Franz Joseph Haydn, after all. So why do Haydn’s friends in the Haydn Mysteries address him by … Continue reading
The little known story of how one musician inadvertently aided in the development of a key area in forensic science. The story comes from Katherine Ramsland’s Beating the Devil’s Game—a must-read for anyone interested in the history of forensic science.
“The comely Grilletta would never roar out her lines in a lusty fortissimo. It is entirely out of character.” (Aria to Death, Chapter One) How did eighteenth-century audiences regard opera? We’re so used to prioritizing the music of an opera, … Continue reading